Photo Gear....What ya got?
#41
Advanced
I just bought a Nikon D7500 with the 2 kit lenses.
18-55 VR
70-300 VR
Not sure what the hell I'm doing though.
Having fun so far. Results are not worth posting.
One question:
I noticed no tripods listed. Isn't that a major piece of equipment?
At least from what I have been reading, a excellent tripod is a must have if you want those really sharp WOW images.
Different types and different heads. Confusing.
Going to be my next purchase.
18-55 VR
70-300 VR
Not sure what the hell I'm doing though.
Having fun so far. Results are not worth posting.
One question:
I noticed no tripods listed. Isn't that a major piece of equipment?
At least from what I have been reading, a excellent tripod is a must have if you want those really sharp WOW images.
Different types and different heads. Confusing.
Going to be my next purchase.
Way back on Episode 22 of our weekly show, we’re on 172 now, we did an overview of tripods and heads which you might find informative. https://www.understandphotography.co...e-fitzpatrick/
#42
Safety Car
While I still own a pair of Manfrotto 055 pro tripods and a couple of 676B monos they have been collecting dust in the corner of the studio for years. Since 100% of my shooting occurs in the studio, we use Foba camera stands and arms. For studio work, tripods just get in the way.
#43
Team Owner
I am not a pro by any means - but I have been paid a few times - I have the following gear:
- Canon 5D Mark IV w/ Battery Grip
- Canon 5D Mark III w/ Battery Grip
- Canon 50mm 1.8
- Canon 24-70 2.8L
- Canon 70-200 2.8L IS
- Speedlite 600EX
- Rode VideoMic Pro
- Manfrotto Tripod (dont remember the model)
- Manfrotto Monopod (dont remember the model)
#44
Drifting
I shoot primarily wildlife, but also some nature, macro, and a few landscapes.
Nikon Camera Bodies:
D4S
D500
Nikon Lens:
50 1.2
17-55 2.8
35-70 2.8
105 2.8 macro
200 f4 macro
300 f4 AFS
80-400 AFS G
500 f4 AFS
TC-14E 1.4X teleconverter
Nikon Flash:
SB-25
SB-800
Tripods:
Gitzo 340 with Arca Swiss ball head
RRS 34L carbon with Wimberley gimbal head
Really Right Stuff quick release camera and lens plates
Nikon Camera Bodies:
D4S
D500
Nikon Lens:
50 1.2
17-55 2.8
35-70 2.8
105 2.8 macro
200 f4 macro
300 f4 AFS
80-400 AFS G
500 f4 AFS
TC-14E 1.4X teleconverter
Nikon Flash:
SB-25
SB-800
Tripods:
Gitzo 340 with Arca Swiss ball head
RRS 34L carbon with Wimberley gimbal head
Really Right Stuff quick release camera and lens plates
#45
Le Mans Master
Just purchased a Nikon Coolpix P900. Haven't taken it out of the box yet. Keeping it simple. All of my SLR stuff is early/mid 80s Canon film based. Hoping to get some reasonably good photos with the Nikon. Not an SLR, but a much smaller/lighter bag to drag around and fits the budget better these days.
#46
Le Mans Master
[QUOTE=
One question:
I noticed no tripods listed. Isn't that a major piece of equipment?
At least from what I have been reading, a excellent tripod is a must have if you want those really sharp WOW images.
Different types and different heads. Confusing.
Going to be my next purchase.[/QUOTE]
I have lots of tripods...small, travel, large, monopod...they come and go, so I tend to overlook them as "equipment", though I consider them essential. I have a SLIK U-212 that I bought in about 1981 that I absolutely love, Even though it's bulky and heavy, I still go back to it.
One question:
I noticed no tripods listed. Isn't that a major piece of equipment?
At least from what I have been reading, a excellent tripod is a must have if you want those really sharp WOW images.
Different types and different heads. Confusing.
Going to be my next purchase.[/QUOTE]
I have lots of tripods...small, travel, large, monopod...they come and go, so I tend to overlook them as "equipment", though I consider them essential. I have a SLIK U-212 that I bought in about 1981 that I absolutely love, Even though it's bulky and heavy, I still go back to it.
#48
Race Director
Just purchased a Nikon Coolpix P900. Haven't taken it out of the box yet. Keeping it simple. All of my SLR stuff is early/mid 80s Canon film based. Hoping to get some reasonably good photos with the Nikon. Not an SLR, but a much smaller/lighter bag to drag around and fits the budget better these days.
Another limitation is the F Stop is too large, Even though it takes great Macro shots the Bokeh effect isn't great.
Overall you cannot beat the flexibility for the price and mirrorless are taking over SLR market share. After shooting with this I can understand why.
Pick up this book, it's a great reference and really easy read. You really need to learn how to use all the scene settings, especially for night portraits and sunsets. Moon shots are easy and get old quick:
Last edited by vvv90; 01-17-2020 at 06:37 PM.
#49
Team Owner
I have lots of tripods...small, travel, large, monopod...they come and go, so I tend to overlook them as "equipment", though I consider them essential. I have a SLIK U-212 that I bought in about 1981 that I absolutely love, Even though it's bulky and heavy, I still go back to it.
#50
Melting Slicks
Member Since: May 2003
Location: Utah's Dixie UT
Posts: 2,913
Received 483 Likes
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165 Posts
St. Jude Donor '11-'12-'13-'14-'15-'16-'17-'18-'19-'20-'21-'22-'23-'24
I have two Gitzo carbon fiber tripods, both with Markins heads. One is a travel model, easily carried when hiking, holds a 70-200 lens with no problem. The heavier tripod was bought for a trip to Yellowstone, worked great with a 100-400 and we were mostly shooting very close to the car. Best part of the large one was that B&H had one in it's "used Dept", got a great deal and it was virtually brand new. I have a nice monopod but have been never been comfortable using it, I guess I should practice!
#51
Le Mans Master
Tripods and monopods are very essential to the overall kit. I have one very lightweight and one heavier weighted tripods, heavier one with Gimble head, and other with plates, and two monopods both with plates. If you really are specific, you have so much more in your kits, from various size and styles of camera bags (backpack), various tripods stands, backdrop paper and the backdrop stands, (large and small), light reflection umbrellas, various amount of clamps, tapes, light and camera filters, cleaning materials, canned air, and the list goes on.
#52
Le Mans Master
OK, so I have been doing photography for many years I am a graduate of New England School of Photography, (Old School using tilt and swing cameras, with complete darkroom, color and B&W.
Current working to assist in photography for US Customs and Border Protection. Past experiences Photographer for Boston Red Sox (1977), UPI several major rock concerts in Washington DC Area, did Wedding Photography for several years, work for Kodak Illustration Department, Rochester, NY and have many published photographs in various publications. Did on my own. some Wedding, pet and people portraits, including commercial product photography. Below is my current equipment list.
Waiting for the NIkon DSLR, D6 and the new 200-500 Nikkor f/2.8 VR ED to be released,. Member of Nikon Professional
Bodies - DSLR
Nikon D800e
Nikon D4
Nikon D700
Bodies - Film
Nikon F5
Nikkomat ELW
Lenses:- Nikkor FX
Speed Flashes - NIKON
Current working to assist in photography for US Customs and Border Protection. Past experiences Photographer for Boston Red Sox (1977), UPI several major rock concerts in Washington DC Area, did Wedding Photography for several years, work for Kodak Illustration Department, Rochester, NY and have many published photographs in various publications. Did on my own. some Wedding, pet and people portraits, including commercial product photography. Below is my current equipment list.
Waiting for the NIkon DSLR, D6 and the new 200-500 Nikkor f/2.8 VR ED to be released,. Member of Nikon Professional
Bodies - DSLR
Nikon D800e
Nikon D4
Nikon D700
Bodies - Film
Nikon F5
Nikkomat ELW
Lenses:- Nikkor FX
Zoom Lenses
14-24mm Zoom Nikkor, f/2.8 ED VR
24-70mm Zoom, Nikkor, f/2,8 ED VR
70-200mm Zoom, Nikkor, f/2.8 FL ED VR
80-400mm Zoom, Nikkor, f/4.5-5.6 G ED VR
14-24mm Zoom Nikkor, f/2.8 ED VR
24-70mm Zoom, Nikkor, f/2,8 ED VR
70-200mm Zoom, Nikkor, f/2.8 FL ED VR
80-400mm Zoom, Nikkor, f/4.5-5.6 G ED VR
Fixed Lenses
35mm Nikkor, f/1.8G ED
50mm Nikkor, f/1/4G
60mm Nikkor, Macro, f
50mm Nikkor, f/1/4G
60mm Nikkor, Macro, f
85mm Nikkor, (Portrait) f1/4G
105mm Nikkor, Macro, f2.8 IF ED
300mm Nikkor, f4E ED VR
Teleconverters
300mm Nikkor, f4E ED VR
Teleconverters
Nikkor AF-S TC-17E II
Nikkor AF-S TC-20E III
Nikkor, AF-S TC800-25E ED
Nikkor PK-13 Macro Spacer Ring
Nikkor AF-S TC-20E III
Nikkor, AF-S TC800-25E ED
Nikkor PK-13 Macro Spacer Ring
Speed Flashes - NIKON
SB-5000
SB-700
SB-500
Extra camera batteries, memories cards, Flash Accessories (remote), Quick release tripods, Gimbal Tripod Heads (Various), softshell and hard shell cases, portal backdrops, other misc. equipment.OK
SB-700
SB-500
Extra camera batteries, memories cards, Flash Accessories (remote), Quick release tripods, Gimbal Tripod Heads (Various), softshell and hard shell cases, portal backdrops, other misc. equipment.OK
Wanted to update my Equipment list with recent purchases:
You can add to my list above the following:
Nikon AF-S Fisheye NIKKOR 8-15mm f/3.5-4.5E ED lens.
Nikkor AF DC- 135mm F2/D lens with Defocus adjustment.
NEXT WEEK the newer version of the Nikon AF-S Nikkor 300mm f/4E PF ED VR lens (small size, less weight that the older one I have, and can be used with Nikon 1.4 Teleconverter)
Added another camera the Coolpix Nikon P1000 Camera. Yes, I did take the big step and purchased the Coolpix Nikon P1000 Camera. Still fooling around with it, but the 24mm- 3000mm lens is really cool. Once you get over 600mm focal, you need tripod for any decent results, and one thing this camera has a real issue with hunting focus on center weighted metering, seems to work better in average meeting. This makes it difficult tracking moving objects so at extreme telephoto distances, this is not a sports or action camera, more of a scenic, everyday shoot and show. NOT a profession style camera but photos are extremely crisp and clear. Biggest drawback is when you shoot RAW, many of the older processing software (LR5, and Adobe Photoshop) do not recognize this new NIKON RAW format, so you shot JPEG not an issue. However more and more new releases are now recognizing the new RAW format, its just that I really do not want to rent software. We shall see, I might upgrade to new LR but need to think more if it is worth it.
I hope to do a more detailed evaluation on the P1000 and write it up here to share. Finally I have decided NOT to purchase the D6 when it comes out next month. My understanding just the body will have a $7,500.00 price tag, and I am NOT a working professional, so this would mean no write off all out of pocket. Still have and use my D4 and that is fine for me, along with my D800, and now P1000, I only would like to get the newer D850 and maybe for spare body the D750. Instead of putting all my limited funds on the D6, I am looking to purchase the D850E,as the later choice is less then half the price, and allowing me to invest the difference into a top end telephone fixed lens like the 500mm Nikkor..
Once this is completed I will have to just purchase a couple of wide angle fixed lenses, most likely the 18mm, and 24mm, and my kit will be complete for any type of photography I wish to do.
CHEERS.
Last edited by 1KULC7; 01-28-2020 at 11:00 AM.
#54
Team Owner
Member Since: Oct 2000
Location: Washington Michigan
Posts: 38,899
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1,102 Posts
When the world went digital 25 years ago, I donated my Leica/Nikon/Practica/Speed Graphic/Rolleiflex/ film cameras. lenses, and accessories (including one of the first Honeywell shoulder-slung strobes) to the Michigan State University Photography Department. The Sony DSC-S70 SLR I bought in 1999 is still turning out fine images thanks to the Zeiss lens, and it's supported by a Sony DSC-W800 and a Nikon Coolpix S6000.
My health issues pretty much keep me indoors, and I'm learning about table-top Macro lighting and technique.
My health issues pretty much keep me indoors, and I'm learning about table-top Macro lighting and technique.